1/1
9 files

ISIS, HERITAGE, AND THE SPECTACLES OF DESTRUCTION IN THE GLOBAL MEDIA.

journal contribution
posted on 09.03.2016 by O Harmansah
This paper focuses on ISIS’s recent destruction of archaeological heritage in Iraq and its (self-) representation in the global media. It is argued that the Islamic State’s destruction of archaeological sites and museums as well as historical monuments and local shrines can be seen as a form of place-based violence that aims to annihilate the local sense of belonging, and the collective sense of memory among local communities, to whom the heritage belongs. It is also suggested that the Islamic State coordinates and choreographs these destructions as mediatic spectacles of violence aimed at objects and sites of heritage, which take place as re-enactments or historical performances that are communicated to us through ISIS’s own image-making apparatus that utilizes advanced technologies of visualization and communication.

Categories

Keyword(s)

History

Publisher Statement

This is the author’s version of a work that was accepted for publication in Near Eastern Archaeology. Changes resulting from the publishing process, such as peer review, editing, corrections, structural formatting, and other quality control mechanisms may not be reflected in this document. Changes may have been made to this work since it was submitted for publication. A definitive version was subsequently published in Harmansah, O. ISIS, HERITAGE, AND THE SPECTACLES OF DESTRUCTION IN THE GLOBAL MEDIA. Near Eastern Archaeology. 2015. 78(3): 170-177. DOI: 10.5615/neareastarch.78.3.0170.

Publisher

American Schools of Oriental Research

issn

1094-2076

Issue date

01/01/2015

Exports

Categories

Keyword(s)

Exports